March 15, 2014

“In an interview with Entertainment Weekly (True Detective creator Nic) Pizzolato responded to a question about the inspiration for the show: ‘You can Google “Satanism” “preschool” and “Louisiana” and you’ll be surprised at what you get.’

“This is clearly a reference to a 2005 child abuse prosecution in Ponchataoula, Louisiana, that generated lurid international headlines about ritualistic Satan worship inside a church, complete with black robes, animal blood, orgies, and pentagrams.

“This has since led various media sources to report breathlessly on the ‘true story’ behind True Detective. The problem is that this ‘true story’ turns out to be completely false, at least in regard to all the details regarding Satanic ritual abuse.

“These were apparently part of a classic atrocity story, invented by the defendants to garner sympathy from jurors – the idea being that the defendants were victims of an unspeakably evil church-based mind control cult, rather than merely being banally evil and not very interesting child molesters.

“What sort of moral responsibility do artists have not to exploit, and thereby perhaps propagate, moral panics? The aesthetic power of The Birth of a Nation and Triumph of the Will has not absolved their creators for choosing to exploit racist and anti-Semitic beliefs.

“Our shameful history of panics and persecutions over the imaginary satanic ritual abuse of children should have been treated by artists as talented as the makers of True Detectiveas a cautionary tale, rather than as an opportunity for further invidious myth-making.”

– From “True Detective’s dangerous lies about satanic ritual abuse” by Paul Campos at The Week (March 12)

I’m surprised to find myself cutting the just-concluded HBO series a bit more slack than Campos, a law professor at the University of Colorado. But True Detective’s potential for doing harm in 2014 seems minimal compared with the hysterically alarmist Do You Know the Muffin Man? which aired on Lifetime while arrests were still being made in the Little Rascals case.

Dec. 23, 2011

“Many appalling results of the recovered-memory movement of the 1970s and ’80s arose from … unexamined views of memory – occurrences like the false accusations of employees of children’s care centers… Such fantasies have often been encouraged as reliable memories by doctrinaire therapists and have sometimes resulted in prison sentences and ruined lives for innocent fathers, mothers, kin, teachers and devoted caretakers.

“The documentary films made by Ofra Bikel … are meticulous and frightening accounts of such fantasies and their overwhelming power in the hands of the cruelest, most self-deluded and most easily panicked among us.”

– From “Ardent Spirits” by the late Reynolds Price (2009)

April 18, 2012

“One of the more surprising aspects of this (Little Rascals) case…. was that none of the parents… had observed anything that caused them to suspect their children were being abused or tortured during the period of the alleged abuses; there were no reports of unusual incidents from their children.

“Nor did the parents detect anything unusual when, without notice, they dropped in early to pick up their children from the day care (e.g., to take them to a doctor’s appointment).

“It was only after allegations began to grow that parents also began to remember events or behaviors consistent with their child being abused.”

– From “Jeopardy in the Courtroom: A Scientific Analysis of Children’s
Testimony” by Stephen J. Ceci and Maggie Bruck (1995)

Prosecutor Nancy Lamb gave the Charlotte Observer her response to “Jeopardy in the Courtroom”: “It’s unfortunate that these two people who have a good reputation – or at least Ceci did – have written this. It’s garbage.”

Aug. 21, 2017

“It’s impossible to say what might have happened had Jane Mabry’s child not been slapped, or if Brenda Toppin had not just been to the sexual abuse class. I certainly don’t think Jane ever foresaw where it all led. Who could? I think all she wanted was to close Little Rascals.”

– Ofra Bikel, quoted in “A ‘Frontline’ documentary on child abuse hysteria shows how good TV can be” by Brian Lambert in the Saint Paul Pioneer Press (May 27, 1997)